This photo released by Sony Pictures shows Julianne Moore, left, and Chloe Moretz, in a scene from, “Carrie.” (AP Photo/Sony Pictures, Michael Gibson)
LOS ANGELES (AP) — “You will know her name,” scream the posters for the new big-screen version of “Carrie,” as if anyone could forget it after seeing Brian De Palma’s brilliant 1976 movie or reading the original Stephen King novel.
Aimed at captivating a new generation of viewers unfamiliar with the tale of a cruelly unloved high-schooler who unleashes telekinetic revenge on her classmates, director Kimberly Peirce’s intermittently effective third feature eschews De Palma’s diabolical wit and voluptuous style in favor of a somber, straight-faced retelling, steeped in a now-familiar horror-movie idiom of sharp objects, shuddering sound effects and dark rivulets of blood.
While it can’t hope to match the galvanizing impact of its predecessors, Peirce’s film works for a considerable stretch as a derivative but impressively coherent vision.
Certainly there’s a case to be made for revisiting “Carrie” now, Login to read more