This film image released by Open Road Films shows Jude Law in a scene from “Side Effects.” (AP Photo/Open Road Films)
If “Side Effects” is indeed Steven Soderbergh’s final film, as he’s said it will be after toying with the notion of retirement for a couple of years now, then intriguingly it feels like he’s coming full circle in some ways to the film that put him on the map: the trailblazing, 1989 indie “sex, lies and videotape.”
Both are lurid genre exercises, laid bare. Both focus on the intertwined lives of four central figures, including a scene in which one of the men interviews one of the women on video, hoping to unearth a hidden truth. Both movies are about danger, secrets and manipulation, filled with characters who aren’t what they initially seem, all of which Soderbergh depicts with his typically cool detachment.
Twists and double crosses occur and schemes are revealed as layer upon layer of Scott Z. Burns’ clever script gets peeled away; it’s actually going to be difficult to discuss “Side Effects” Login to read more